Before Web3. There was music.

Before Web3, I spent over a decade turning an original music project into a professional touring operation. What started behind a drum kit grew into an education in entrepreneurship, marketing, partnerships, creative work, and managing day-to-day operations.

John Cowin holding a cymbal, photographed in a studio.

From practice rooms to national stages.

I studied music performance, business, and media, then put that training to work building an original music project from the ground up.

What began with local shows grew into more than a decade as a professional musician. Along the way, I played major festivals, appeared on television and FM radio, earned an endorsement from an instrument manufacturer, and secured worldwide distribution through a Sony Music subsidiary.

John Cowin playing drums on a stage riser, with microphones and monitors around the kit.
A print of the Mountain Jam 2014 festival poster, showing the festival's name and headliners.
A print of John Cowin standing beside a presenter on a television studio set.
A Mountain Jam artist access credential on a black lanyard.

On stage at night. Running the business by day.

Before professional management and distribution came on board, I managed much of the day-to-day operation myself. After signing those deals, I remained deeply involved across touring, marketing, partnerships, logistics, and release coordination.

A professional drum kit with cymbals and hardware, set up on a rug against a dark background.

  • Booking shows
  • Tour routing and scheduling
  • Logistics
  • Tour management
  • Accounting and coordination

  • Website design and management
  • Social media
  • Promotion and audience development
  • Merchandise design and sourcing
  • Branding and creative assets

  • Talent buyers and booking agencies
  • Management companies
  • Sponsorships and endorsements
  • Artist relations
  • Industry networking

  • Live event production
  • Show promotion
  • Release coordination
  • Music distribution
  • Commercial operations

Then 2020 happened.

After years of near-constant touring, I was ready for a life with more time at home. Then COVID brought live music to a stop.

Around the same time, I discovered DeFi, and the potential clicked immediately. I immersed myself in the technology, began investing, joined communities, and built relationships the same way I had in music: by showing up and contributing. That led to my first professional role in Web3.

  1. 2008Studied music performance, business, and media
  2. 2010Original music project began
  3. 2012Began professional touring
  4. 2014First major festival appearance
  5. 2016Secured worldwide distribution through a Sony Music subsidiary
  6. 2019Appeared on television
  7. 2020Live music stopped
  8. 2020Discovered DeFi and began studying the technology
  9. 2021First professional role in Web3

Different industry. Same operating instincts.

Music taught me to go deep in a craft without losing sight of how the whole operation worked. Along the way, I learned that audiences are earned, relationships compound, and ideas are only as valuable as the execution behind them. I bring that same range, depth, and follow-through to Web3.

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